Digital Single-Lens Reflex Camera
DMC-L10
DMC-L10
A New High Picture Quality Digital SLR
The DMC-L10
Featuring a 2.5-inch Large Free- Angle LCD for Full-time Live View
The DMC-L10
Featuring a 2.5-inch Large Free- Angle LCD for Full-time Live View
Panasonic has unveiled today its second digital single-lens reflex camera (SLR) the DMC-L10 with a new interchangeable lens. The DMC-L10 features an advanced 2.5-inch free angle LCD for full time live view that offers 270 degree rotation and a versatile shooting style. A 10.1-megapixel Live MOS Sensor provides the beautiful images with delicate gradation and wide dynamic range. Dust reduction with a Supersonic Wave Filter system prevents dust from attaching to the sensor to degrade the pictures. The superb image processor, Venus Engine III, boasts a high quality image rendering and high speed response.
The DMC-L10 adopts the open format of the Four Thirds system for its lens mount because it is developed exclusively for digital SLR. Drawing on leading technologies while defying any stereotype ideas in SLR cameras, Panasonic aims to provide an emotional excitement of true-to-life photographic images to be in line with the digital age.
The DMC-L10 comes equipped with a LEICA D VARIO-ELMAR 14-50mm / F3.8-5.6 ASPH./ MEGA O.I.S. lens designed specifically for a digital SLR camera to be sold as a kit, the DMC-L10K.
The DMC-L10 features an advanced free-angle 2.5-inch large LCD for full-time live view and it dramatically changes the digital SLR shooting style. You do not have to get down on bended knee, nor have to lie flat on the ground. You can see the subject even while holding the camera up high with your arms stretched. The full-time live view further gives users more shooting flexibility and greater convenience that have never been achieved by conventional digital SLR cameras without live view capability. The DMC-L10 incorporates a Face Detection and Intelligent ISO Control function first in digital SLR cameras*. The face detection system detects human faces and sets a focus and appropriate exposure to capture a face clearly and well exposed. The Intelligent ISO Control function detects and meters the movement of the subject and sets the suitable ISO setting and the shutter speed according to the amount of the movement to suppress the generation of motion-blur in the picture. The live view lets the users check the outcome image in advance after compensating the exposure or adjusting the white balance. Furthermore, the DMC-L10 provides options of picture taste with the function called Film Mode and users can select the mode that takes the best advantage of the scene. All these settings can be confirmed before you take the picture and the result is always as you intended. Further options are given with the aspect ratio set alternatively to 4:3, 3:2 and 16:9 aspect ratios according to the situation. Taking the horizontal and vertical lines in the picture is facilitated by the guide line to be displayed on the LCD for deciding the composition of the image. It also allows extra magnification beyond the zoom power of the lens with Extra Optical Zoom which extends the zoom range utilizing the 10.1-megapixel large Live MOS sensor when setting the recording resolution smaller and with the digital zoom.
*As of August 30, 2007
Just putting a live view function into the digital SLR is not going to perfect the camera and that is why the DMC-L10 adopts advanced hybrid-type AF system. A phase difference AF system works for shooting through a viewfinder while contrast AF system best supports the shooting using the live view. This is also the case with AE. A high speed, high precision TTL full aperture light metering by 49 zones multi-pattern sensing system is available for shooting through the viewfinder. On the other hand for the shooting with live view, exposure can be metered and set using the Live MOS sensor for light metering to take the whole picture information and evaluate it by 256 zones multi-pattern sensing system and gives a well-balanced exposure as a whole image.
The DMC-L10 incorporates a variety of functions that build a bridge for the potential user of digital SLR to take a first step in a world of real creative photography or for existing users who have not been able to take best advantage of their conventional digital SLR cameras. Spinning the Mode Dial on top of the camera directly points you to the frequently used settings including Auto mode, each P/A/S/M mode, and five frequently-used scene modes and one custom mode that you can pre-set for your own preference. The scene modes that can be directly activated by the mode dial includes Portrait, Scenery, Macro, Sports and Night Portrait mode and each of them further has options of finer settings to be called Advanced Scene Mode, which allows users easily take intended pictures according to the situation or specific photographic idea.
The DMC-L10 is especially designed for the consumer who is familiar with compact digital cameras and would like to experience the enjoyment of digital SLR photography, but also for the ambitious photographer who wishes to take more beautiful pictures.
1. Drastic Change in a Shooting Style - Free Angle 2.5-inch Large LCD for Full-time Live View
The full-time live view function on the LCD proposes a dramatic change in the shooting style of digital SLR cameras. The DMC-L10's 2.5-inch large LCD offers 270 degree rotation and a versatile shooting style even in situations when looking into the viewfinder is not easy. This free angle LCD also features an Auto Power LCD function that offers an automatic brightness level control function according to the light condition to secure clear view even under the strong sunlight.
In addition to the above, full-time live view further gives users more shooting flexibility and greater convenience. The DMC-L10 incorporates a Face Detection and Intelligent ISO Control function, first in any digital SLR camera*. The face detection system detects human faces and sets a focus and appropriate exposure to capture a face clearly and beautifully lit. The Intelligent ISO Control function detects and meter the movement of the subject and sets the suitable ISO setting and the shutter speed according to the amount of the movement to suppress the generation of motion-blur in the picture.
*As of August 30, 2007
The live view lets the users check the outcome image in advance after compensating the exposure or adjusting the white balance. The white balance can be adjusted in the area of two-axis of coordinates precisely. Furthermore, the DMC-L10 provides options of picture taste with the function called Film Mode. Each analog film has its characteristics such as with colour, contrast, gradation and which affects on the outcome of the picture, in other words, it is one of the ways of expression. With the DMC-L10, the Film Mode allows you to choose the one that takes the best advantage of the scene or the subject you take out of a total of nine film modes including Standard, Dynamic, Nature, Smooth, Nostalgic, Vibrant, Standard B/W, Dynamic B/W and Smooth B/W, with capability of fine adjustment of contrast, sharpness, saturation and noise reduction. All these settings can be confirmed before you take the picture and the result is always as you intended.
Further options are given with the aspect ratio set alternatively to 4:3, 3:2 and 16:9 aspect ratios according to the situation. As a leader in the flat panel display market, Panasonic has been proposing further enjoyment of photography, by viewing the dynamic photos you take in HD (high-definition) 1920 x 1080 resolution image size on 16:9 wide screens.
Taking the horizontal and vertical lines in the picture is facilitated by guide lines to decide the composition of the picture and you can further choose to move the guide line to fit any patterns of composition.
It also allows extra magnification beyond the zoom power of the lens with Max. 1.8x Extra Optical Zoom which extends the zoom range utilizing the 10.1-megapixel large Live MOS sensor when setting the recording resolution smaller and with the 2x to 4x digital zoom.
In conventional digital SLR cameras, the live image could be seen only through the view finder and the LCD existed just for the playback of images once taken. But with the DMC-L10, any trials of setting, adjustment and effect can be checked beforehand, thus the picture would not disappoint you due to the gap of photographers' intention and its result.
2. A Fusion of Technologies - Advanced Hybrid AF System Made Possible by Contrast AF*
Conventionally, only phase difference AF is believed to be the method of AF for digital SLRs, but Panasonic dares to add the contrast AF method to make the L10's AF one of the most advanced hybrid AF system in industry. A TTL phase difference detection system works for shooting through a viewfinder while contrast AF system best supports the shooting using the live view. This is also the case with AE. A high speed, high precision TTL full aperture light metering by 49 zones multi-pattern sensing system is available for shooting through the viewfinder. On the other hand for the shooting with live view, exposure can be metered and set using the Live MOS sensor for light metering to take the whole picture information and evaluate it by 256 zones multi-pattern sensing system to give a well-balanced exposure as a whole image.
Human faces are always picturesque and that's why more compact digital cameras incorporate face detection function to capture them with more clarity and beauty. Panasonic applies this feature into a digital SLR for the first time in the world as the Face Detection AF/AE function**. The newly added Face Detection system helps the camera to recognize a human face to capture it bright and clear. Up to 15 human faces can be detected simultaneously. The detection keeps working on the faces even if subjects are moving so that the time for AF is minimized before you click away the shutter.
To match the shooting situation and subject's position, the user can select from six auto-focusing methods: Face Detection, 9-point, Multi, 3-point, 1-point and Spot. With the 1-point AF or spot AF method, the auto-focusing area can be chosen from as many as 11 points. Various group area patterns can also be selected in the new Multi method.
In manual focus, you can enlarge the specific part of the subject on the LCD and also freely move the magnified area for easy framing, which is especially handy when using a tripod.
**Contrast AF is supported with the use of LEICA D VARIO-ELMAR 14-50mm/F3.8-5.6 ASPH./MEGA O.I.S. and LEICA D VARIO-ELMAR 14-150mm/ F3.5-5.6 ASPH./ MEGA O.I.S. as of August 30, 2007.
**As of August 30, 2007
**As of August 30, 2007
3. The New 10.1-Megapixel Live MOS Sensor and the Venus Engine III for the Superior Picture Quality
The Live MOS sensor used in the DMC-L10 provides the beautiful images with delicate gradation and wide dynamic range that only a CCD image sensor can provide while achieving low energy consumption which is a feature of CMOS sensors. By incorporating the 2.2µm pixel technology, Panasonic succeeded in the mass production of a miniaturized circuit that sustains the same light receiving area as the sensor of 7.5-megapixel. In addition, the efficiency of light reception is raised at the same time, to keep the sensitivity as high as that of 7.5-megapixel despite the decreased pixel area. Also, photodiodes embedded deeply in the silicon layer create a structure that suppresses noise generated on the substrate surface. As a result, the white-spot pixel defects and textual roughness that often characterize images captured in shooting at higher ISO are minimized thanks to the incorporation of newly developed noise reduction circuit, so the pictures are clear and beautiful.
The Venus Engine III is an image processing LSI developed by Panasonic to maximise the performance of the Leica D lens and Live MOS sensor. This advanced LSI not only helps reproduce images with outstanding resolution, superior colour and detailed gradation, it also distinguishes chromatic noise from luminance noise and selectively reduces the chromatic noise, one of the chief sources of image quality problems. This helps the DMC-L10 deliver the superb image rendering one expects from a quality SLR camera.
4. Dust Reduction System
One of the most critical issues with digital SLR cameras with interchangeable lenses is the possibility of dust entering the camera body during lens changes. This dust can adhere to the image sensor and show up as spots on photos taken. Panasonic has solved this problem by equipping the DMC-L10 with a Supersonic Wave Filter system that uses supersonic vibration to shake off any dust clinging to the sensor. This simplifies camera maintenance and eliminates worries about dust entering the camera body when lenses are being changed outdoors or the dust that may be generated by the movement of mirror or shutter, so users can enjoy themselves and just concentrate on shooting.
5. Pursuit of Usability Even Challenging the Technological Application from Digital Compact Cameras
Panasonic drew on its cutting-edge lens technology to invent Mega O.I.S. (Optical Image Stabilizer), a system that prevents blurring from shaky hands and has been incorporated in all Lumix compact cameras. This high-precision image stabilizing lens system is now incorporated into the LEICA D VARIO-ELMAR 14-50mm/F3.8-5.6/MEGA O.I.S. With Mega O.I.S., it is easier than ever to capture clear, sharp, beautiful images when shooting indoor portraits, illuminated night scenes or even the scenery you see from a train window. Another problem is the motion blur that can occur when a subject moves as the shot is being snapped but the DMC-L10 detects whether or not the subject is moving with the Intelligent ISO Control function as mentioned above. Many useful and convenient features, such as AF and image stabilization system, have been transplanted from the compact camera development to that of digital SLR and Panasonic dares to integrate these ideas because they are sure to broaden the world of digital SLR photography.
A total of nine scene modes also supports the pursuit of usability for any photographer to enjoy taking beautiful pictures with ease, while more advanced photographers can make finer adjustments with the Advanced Scene Mode and with frequently-used Portrait, Sports, Landscape and Night portrait being directly activated with the mode dial. Select the Portrait or Sports mode and you'll have further options to define whether it is in outdoor or indoor. Selecting Landscape mode gives, you options to specify if you're going to take nature or architecture. Thus more suitable compensation for the scene will be available on the picture to get the best results. On the other hand, you can simply select the original mode without any further adjustment or select Creative mode that even allows manual controls over an aperture or a shutter speed.
Keeping its design as a sophisticated digital SLR, the exterior design of DMC-L10 has ingenious touches - such as the ergonomic grip assure steady and comfortable hold in any shooting position. Two dials under the index finger and the thumb allows the photographer to adjust shutter speed and the aperture directly smoothly.
6. Other Advanced Functions
-OVF Magnifier (1.2x) Included
-ISO Value Limit Setting
-RAW File Recording and Developing with included Software SILKYPIX Developer Studio.
-ISO Value Limit Setting
-RAW File Recording and Developing with included Software SILKYPIX Developer Studio.
Specifications
| DMC-L10 | ||
|---|---|---|
| TYPE | Type | Interchangeable lens digital SLR camera |
| Recording media | SD memory card, SDHC memory card, Multimedia card | |
| Image sensor size | 17.3 x 13.0 mm | |
| Mount | Four Thirds mount | |
| IMAGE SENSOR | Type | Live Mos Sensor |
| Total pixels | 11.8 Mega pixels | |
| Camera effective pixels | 10.1 Mega pixels | |
| Aspect ratio | 4:3 (Horizontal : Vertical) | |
| Color filter | Primary color filter | |
| Dust reduction system | Supersonic Wave filter | |
| RECORDING SYSTEM | Recording file format | JPEG(Design rule for Camera File system, based on Exif 2.21 standard), |
| DPOF corresponding, RAW, RAW+Fine, RAW+Standard | ||
| Aspect ratio | 4:3, 3:2, 16:9 (3:2,16:9 Live view mode) | |
| File size | 4:3 Aspect Ratio: 3648 x 2736 pixels, 2816 x 2112 pixels, 2048 x 1536 pixels | |
| 3:2 Aspect Ratio: 3648 x 2432 pixels, 2816 x 1880 pixels, 2048 x 1360 pixels | ||
| 16:9 Aspect Ratio: 3648 x 2056 pixels, 2816 x 1584 pixels, 1920 x 1080 pixels | ||
| Color space | sRGB, Adobe RGB | |
| VIEWFINDER | Type | Eye level penta mirror type optical view finder |
| Field of view | Approx. 95% | |
| Magnification | Approx. 0.92x | |
| Eye point | Approx.14mm (-1[m-1]) | |
| Diopter adjustment | -3.0 ~ +1 [m-1] | |
| Focusing screen | Fixed type | |
| Mirror | Quick Return Mirror | |
| Eyepiece cap | Detachable | |
| AUTO FOCUS | Type | TTL phase difference detection system, Contrast AF system(Live view mode) |
| Focusing mode | AFS/AFC/MF | |
| Focusing area | TTL phase difference detection system: 3-point | |
| Auto / 1fixed point, left / 1fixed point, center/ 1fixed point, right | ||
| Contrast AF system: 9-point / Multi-point / 3-point / 1-point / Spot / Face | ||
| AF detective range | TTL phase difference detection system, EV0-19 (ISO100) | |
| Contrast AF system, EV0-20 (ISO100) | ||
| AF assist lamp | YES | |
| AF lock | AFL/AEL button or Shutter button halfway pressed in AFS mode | |
| EXPOSURE CONTROL | Light metering system | TTL Full Aperture Light Metering by 49 Zones Multi-pattern Sensing system 256 zones Multi-pattern Sensing system (Live view mode) |
| Light metering mode | Intelligent Multiple/ Center Weighted/ Spot | |
| Metering range | EV0 - 20 (F2.0 lens, ISO 100) | |
| Exposure mode | Program AE / Aperture Priority AE/ Shutter Priority AE / Manual | |
| ISO sensitivity | Auto / 100 / 200 / 400 / 800 / 1600 / Intelligent ISO (Live view mode) | |
| Exposure compensation | 1/3EVStep ±2EV | |
| AE lock | AFL/AEL Button or Shutter button halfway pressed | |
| AE bracket | 3frame、1/3~2EV Step ±2EV | |
| WHITE BALANCE | White balance | Auto / Daylight / Cloudy / Shade / Halogen / Flash / White Set 1,2 / Color temperature setting |
| White balance adjustment | blue/amber bias, magenta/green bias | |
| Color temperature setting | 2500-10000K in 100K | |
| SHUTTER SYSTEM | Type | Focal-plane shutter |
| Shutter speed | 1/4000 ~ 60 and Bulb (up to approx. 8minutes) | |
| Self timer | 2sec / 10sec / 10sec,3images | |
| Remote control | Remote control with bulb function by DMW-RSL1 (Optional) | |
| SCENE MODE | Advanced SCN mode | Portrait / Scenery / Macro / Sports / Night Portrait |
| SCN mode | Baby 1,2 / Pet / Sunset / Food | |
| BURST SHOOTING | Burst speed | 3 frames/sec or 2 frames/sec |
| Number of recordable | 3 pictures (when there are RAW file), Unlimited consecutive shooting (when there are no RAW file) (depending on memory card size, battery power, picture size, and compression) |
|
| BUILT-IN-FLASH | Type | TTL Built-in-Flash, GN11 (ISO100,m), Built-in Pop-up |
| Built-in flash | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
|
| X-Sync speed | Less than 1/160 second | |
| Flash output adjustment | 1/3EVStep ±2EV | |
| Flash synchronization | 1st. Curtain Sync. , 2nd Curtain Sync. | |
| Hot shoe | TTL Auto with FL360/FL500 (Optional) | |
| LCD MONITOR | Type | Low temperature Polycrystalline TFT LCD |
| Monitor size | Free-angle 2.5inch | |
| Pixels | 207K pixels | |
| Filed of view | Approx. 100% (Live view mode) | |
| OSD language | English,German,French,Italian,Spanish,Polish,Czech,Hungarian,Russian, Chinese(Traditional),Chinese(Simplified), Netherlandic,Thai,Korean, Turkish, Portuguese, Arabic, Persian, Japanese | |
| LIVE VIEW | Digital zoom | 2x, 4x |
| Extra optical zoom | Max.1.8x (Not effective with full pixel recording, Magnification ratio depends on the recording pixels.) |
|
| FILM MODE | Color | Standard / Dynamic / Nature / Smooth / Vibrant / Nostalgic |
| Black and white | Standard / Dynamic / Smooth | |
| PLAYBACK | Playback mode | Single / 9, 25-thumbnail display, Calendar display, |
| Zoomed playback (16x max.), /image rotation (except for RAW) | ||
| Slide show (duration is adjustable, also manual controllable), | ||
| Playback of favorite pictures/ Resizing (selectable number of pixels) | ||
| Trimming / Protection / Aspect conversion / DPOF print setting | ||
| PROTECTION / ERASE | Protection | Single / Multi or Cancel |
| Erase | Single / Multi / All | |
| DIRECT PRINT | PictBridge（Print size, Layout, Date setting is selectable ） | |
| INTERFACE | Digital | USB 2.0 |
| Analog video | NTSC/PAL Composite (Switched by menu) | |
| POWER | Battery | Li-ion Battery Pack (7.2V, 1320mAh) (Included) |
| Battery Charger/AC Adaptor (Input: 110-240V AC) (Optional DC cable(DMW-DCC1) is required) | ||
| Battery life | Approx. 450 images*1 （CIPA Standard* with LEICA D VARIO-ELMAR 14-50mm/F3.8-5.6 ASPH.) | |
| DIMENSIONS / WIGHT | Dimensions (W x H x D) | 134.5 x 95.5 x 77.5mm |
| Weight | Approx. 480g（Body only） | |
| OPERATING CONDITION | Operating temperature | 0°C to 40°C |
| Operating humidity | 10% to 80％ | |
| STANDARD ACCESSORY | Software | LUMIX Simple Viewer, PHOTOfunSTUDIO -viewer- SILKYPIX Developer Studio USB Driver |
| Standard accessory | Battery Charger/AC Adaptor, Battery Pack, Eyepiece Cap, Magnifier eyecup, Body Cap,Video Cable, USB Connection Cable, AC Cable, Strap, CD-ROM | |
*1. Shooting conditions: 23°C with 50% humidity; LCD on*; using a Panasonic SD Memory Card (128MB); Using the supplied battery; Using the supplied lens; Starting recording 30 seconds after the camera is turned on (When the optical image stabilizer is set to [Mode1]); Recording once every 30 seconds with full flash every second recording; Turn the camera off every 10 recordings.
*The number of recordable pictures decreases in Auto Power LCD mode or Power LCD mode. CIPA is an abbreviation of "Camera & Imaging Products Association.
*Design and specifications are subject to change without notice.
*Some accessories are not available in some countries.
*The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder.*Leica is a registered trademark of Leica Microsystems IR GmbH.
*The LEICA DC VARIO-ELMAR lenses are manufactured using measurement instruments and quality assurance systems that have been certified by Leica Camera AG based on the company's quality standards.
*All other company and product names are trademarks of their respective corporations.
*This unit is compatible with both SD Memory cards and SDHC Memory cards. You can only use SDHC Memory cards on devices that are compatible with them. You cannot use SDHC Memory cards on devices that are only compatible with SD Memory cards. (When using a SDHC Memory card on another device, be sure to read the operating instructions for that device.)
A New Standard Zoom Lens for Digital SLR Camera
LEICA D VARIO-ELMAR 14-50mm / F3.8-5.6 ASPH./
MEGA O.I.S.
LEICA D VARIO-ELMAR 14-50mm / F3.8-5.6 ASPH./
MEGA O.I.S.
Panasonic has unveiled today a new interchangeable lens designed specifically for the digital SLR camera, the LEICA D VARIO-ELMAR 14-50mm / F3.8-5.6 ASPH./ MEGA O.I.S. with the digital SLR camera DMC-L10. It is a large- diameter standard zoom lens featuring a focal length from 14mm to 50mm (35mm equivalent: 28mm 100mm) and compliance with the Four Thirds System.
Positioned below the previously released LEICA D VARIO-ELMARIT 14-50mm/ F2.8-3.5 ASPH./ MEGA O.I.S., the new lens comes in a more compact and light-weighted body while keeping the optical design and meeting Leica`s stringent quality and performance standards. It delivers high resolution and contrast from edge to edge especially at the telephoto end and captures beautiful portrait photos with an attractive smoothness in out-of-focus areas, produced by the seven-blade diaphragm aperture.
The LEICA D VARIO-ELMAR comprises 15 lens elements in 11 groups, including two
aspherical lenses, minimizing distortion and peripheral vignetting at the wide
end. Two ED (extra-low dispersion) lenses reduce chromatic aberration to an
absolute minimum. It also incorporates Panasonic`s advanced MEGA O.I.S. - an
optical image stabilization system controlled by the integrated Venus engine
LSI that provides outstanding hand-shake correction. With a minimum focus distance
of 29cm and a maximum photographic magnification of 0.42x (35mm equivalent)
the new lens makes it possible for the photographer to take outstanding macro
shots even without using a tripod.
As the kit lens in the package of the today announced new LUMIX DMC-L10 digital SLR camera, the LEICA D VARIO-ELMAR 14-50mm / F3.8-5.6 ASPH./ MEGA O.I.S. also supports the contrast AF system, which is newly implemented in the camera.
The new lens is also offered separately and will be available in the market around October 2007.
1. Mega O.I.S. - Panasonic's advanced hand-shake correction technology
With its outstanding stabilization performance, Panasonic's Mega O.I.S. allows you to use slower shutter speeds more than three steps. To detect and correct the hand-shake accurately, Panasonic's Venus Engine LSI is incorporated into the lens. This advanced image stabilizer lets you capture clear telephoto shots or shoot in dim lighting without using a tripod.
2. Two aspherical lenses and two ED lens for a superb optical performance
The new LEICA D VARIO-ELMAR 14-50mm / F3.8-5.6 ASPH./ MEGA O.I.S. lens uses two aspherical lenses and two ED (extra-low dispersion) lenses to deliver an outstanding optical performance. Across the entire 28-100 mm zoom range, it captures high-resolution, high-contrast images that are clear from corner to corner. The ED lenses suppress chromatic aberration, helping you capture accurate, true-to-life telephoto shots with minimum color bleeding.
3. Minimum focus distance of 29 cm over the entire zoom range
With its minimum focus distance of 29 cm even at full zoom, the new lens provides a maximum photographic magnification of 0.42x (35mm equivalent). This combines with Mega O.I.S. hand-shake correction to let you capture outstanding macro shots even at tele-end without using a tripod.
4. Circular aperture diaphragm
Seven aperture blades give the aperture a rounded shape that, when shooting at larger aperture, produces an attractive smoothness in out-of-focus areas.
5. Contrast AF system support
When mounted on the new DMC-L10, the lens supports the contrast AF system newly integrated in the camera and allows the photographer to use new functions such as face detection.
6. Multiple lens coatings minimize ghosts and flare
The new lens system uses multi-coated lens elements that reduce ghosts and flare to an absolute minimum, helping deliver an optical performance that meets Leica's lofty standards.
Specifications
| LEICA D VARIO-ELMAR 14-50mm/F3.8-5.6 ASPH./ MEGA O.I.S. | |
|---|---|
| Model No. | L-RS014050 |
| Lens Construction | 15 elements in 11groups (2 Aspherical lenses, 2ED lenses) |
| Mount | Four Thirds mount |
| Optical Image Stabilizer | YES (DMC-L1, DMC-L10) |
| Focal Length | f=14mm to 50mm (35mm film camera equivalent 28mm to 100mm) |
| Aperture Type | 7 diaphragm blades / Circular apepure diaphragm |
| Aperture | F3.8(wide) - F5.6(Tele) |
| Minimum Aperture | F22 |
| Closest Focusing Distance | 0.29m / 11.42in at all focal lengths |
| Maximum magnification | Apporox. 0.42x (35mm film camera equivalent) |
| Diagonal Angle of View | 75°（Ｗ）～24°（Ｔ） |
| Filter Size | 67mm |
| Max. Diameter | φ74mm / 2.91in |
| Overall Length | 93mm / 3.66in (from the tip of the lens to the base side of the lens mount) |
| Weight | 434g / 15.3oz |
| Standard Accessory | Lens Cap, Lens Hood, Lens Rear Cap, Lens Storage Bag |
*Design and specifications are subject to change without notice.
*Leica is a registered trademark of Leica Microsystems IR GmbH.
*The LEICA D VARIO-ELMAR lenses are manufactured using measurement instruments and quality assurance systems that have been certified by Leica Camera AG based on the company's quality standards.